Places
My practice centres on two passions: figural painting and landscape—but especially where the two begin to blur. I'm drawn to the liminal spaces where places shape people, and people leave traces on place. The landscapes we make eventually make us.
Half Lit Edge (selected: G&S prize 2025 ) Oil, peinture d’essence, sgraffito, gloss medium This painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image.
Edge: Landscape Study Oil, peinture d’essence, sgraffito, gloss medium This painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image.
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies in 2025, this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image.
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies and selected for Landscape Painting Now (Messums, online, 2024), this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies and selected for Landscape Painting Now (Messums, online, 2024), this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies in 2025, this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image.
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies in 2025, this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image.
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies in 2025, this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image.
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies in 2025, this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image.
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies in 2025, this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image.
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies and selected for Landscape Painting Now (Messums, online, 2024), this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies in 2025, this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image.
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies in 2025, this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image.
Landscape Study Oil, peinture d’essence, sgraffito, gloss medium Made as part of my RCA studies and following my solo exhibition Regeneration at The Bowes Museum (2023), this painting isn’t of the landscape so much as about it. I’m interested in creating a liminal space—one that records not just the land itself, but the lives, memories, and labours that have shaped it over time. Through layered oil, volatile peinture d’essence, and incised marks, I try to let the surface speak, allowing the material to hold its own history as much as the image.