Place
The apprehended quality of place is to landscape what universality is to the figure: both are found not in likeness, but in recognition.
Landscape Series, 2019–2026
Across three major series, Martin Kinnear developed a landscape practice concerned with how place is experienced, remembered and remade through painting.
Fracture brought concerns from his figurative work into the landscape, using local materials, disrupted surfaces and shifting forms to explore presence, absence and change. Regeneration, initially conceived as a record of the North of England, was transformed by the pandemic into a broader meditation on resilience and community, culminating in a solo exhibition at The Bowes Museum. Beyond Here, made from Kinnear’s studio in the Yorkshire Dales, returned to the classical landscape tradition, testing its structures against the instability and material freedom of modern painting.
Together, these series treat landscape not as backdrop or description, but as a field in which memory, material, identity and time are held in tension.
Landscape Series selected works, 2022–2025
Fracture . 2025
Fracture situates Kinnear’s figural practice within landscape, exploring the liminality of place and people. Working with local materials and a philosophy of immanence, the series evokes time, presence, and the porous boundary between body and terrain.
Gallery of Selected Works
Regeneration . 2022
First comissioned as a personal record of northern landscapes, Regeneration became, under the pressures of COVID, a public gallery exhibition about resilience and community. Shown at The Bowes Museum, the series locates landscape as both witness and participant in collective endurance.
Beyond Here 2024
Beyond Here re-examines the classical landscape tradition from Kinnear’s Dales studio, situating it in contemporary dialogues of becoming. The series connects local terrain with Modernist traditions, interrogating how landscape can still articulate universal questions in painting.